In the Queen of Hills of Darjeeling, Sumitra Tamang emerges as a poetic voice, carving her path through the literary tapestry with the Nepali poetry collection 'Achhut Utsav.' As the reader embarks on the journey through her verses, a new flavor enriches the palate of those savoring the essence of popular poems. Tamang's poetry, akin to the sprawling landscape of Darjeeling, mirrors the collective pulse of its people. Her verses resonate with the echoes of suffering, the yearning for liberation, and the dense fabric of political consciousness. The poetic axis of self-determination for Darjeeling weaves seamlessly through her work, each stanza a powerful commentary wrapped in the cloak of poetic beauty. 'Achhut Utsav' unfolds as a tapestry where themes of each poem become an open attack on defeated and abolitionist leadership, while simultaneously acting as a creative balm for the shattered morale of the people. Tamang's pen becomes a mighty sword, slashing through the barriers of societal norms, addressing issues ranging from women's liberation and the acknowledgment of the third gender to the urgent call for environmental consciousness. Tamang, a daughter of Darjeeling, traces her academic roots to Loreto College, her poetic prowess transcending linguistic boundaries with works in both Nepali and Hindi. Her poems have found their way into the pages of newspapers and magazines across Darjeeling, Sikkim, Madhya Pradesh, and Kathmandu. Beyond the realm of poetry, Tamang is a luminary in the dramatic arts, wielding her pen to script plays that echo societal concerns. From a powerful commentary on the exploitation of women for Hayden Hall to a thought-provoking play on consumer awareness for the Darjeeling Consumer Forum, she seamlessly intertwines creativity with social consciousness. As the curtains rise, not only does Tamang write the scripts, but she also graces the stage, embodying the characters she breathes life into.